devidsketchbook:

Extraordinary photos of young hitchhikers and freight train hoppers by Mike Brodie

Mike Brodie (tumblr | facebook) first began photographing in 2004 when he was given a Polaroid camera. Working under the moniker, The Polaroid Kidd, Brodie spent the next four years circumambulating the U.S. amassing an archive of photographs that would go on to make up one of the few, true collections of American travel photography. Having never undergone any formal training, he chose to remained untethered to the pressures and expectations of the art market

The death of a beautiful woman, is unquestionably the most poetical topic in the world.
Edgar Allan Poe.

Stanley GreeneAsya, a Chechen rebel, Grozny, Chechnya, 1996

Emir Šehanović. Zumra 2.

Dubrovnik

Monogahela is an impressive beast. (by Boston Public Library)

Andres Bedoya   “Ultra Madre”   [Video]

In 2009 Andres Bedoya organized a haunting performance installation “Ultra Madre,” in which 57 women lay still on the scaffolding of the main arch of the Museo Nacional de Arte in La Paz, Bolivia. For one hour the women did not move, their long, black hair cascading down the 15-foot structure. The jarring image of the soft hair against the rigid architecture stirred a quiet but lasting sense of unease.

Installation and Performance - mixed media, approx. 8’ w x 15’ h x 5’ d, National Museum of Art, La Paz, Bolivia, 2009.

Blade Runner opening sequence (FX Storyboards)

Le Lien Js Poncel (1868) Musée des beaux-arts de Vienne, Isère, France.

Russia in color, a century ago

With images from southern and central Russia in the news lately due to extensive wildfires, I thought it would be interesting to look back in time with this extraordinary collection of color photographs taken between 1909 and 1912. In those years, photographer Sergei Mikhailovich Prokudin-Gorskii (1863-1944) undertook a photographic survey of the Russian Empire with the support of Tsar Nicholas II. He used a specialized camera to capture three black and white images in fairly quick succession, using red, green and blue filters, allowing them to later be recombined and projected with filtered lanterns to show near true color images. The high quality of the images, combined with the bright colors, make it difficult for viewers to believe that they are looking 100 years back in time - when these photographs were taken, neither the Russian Revolution nor World War I had yet begun. Collected here are a few of the hundreds of color images made available by the Library of Congress, which purchased the original glass plates back in 1948.

Jerry N. Uelsmann